SAMIVEL - SAVOIE, LE MONT-BLANC DES HAUTES DE MEGÈVE -- LES ALPES -- JURA -- CIME ÉTERNELLE -- SAVOIE

-





151
SAMIVEL (1907-1992)
SAVOIE, LE MONT-BLANC DES
HAUTES DE MEGÈVE
ofset lithograph in colours, printed by FOT, Lyon,
condition A-; not backed
31Ω x 23Ω in. (80 x 60 cm.)
£800-1,200 $1,300-1,800
€1,200-1,700
152
SAMIVEL (1907-1992)
LES ALPES
ofset lithograph in colours, printed by FOT, Lyon,
condition A; not backed
31Ω x 25Ω in. (80 x 60 cm.)
£800-1,200 $1,300-1,800
€1,200-1,700
153
SAMIVEL (1907-1992)
JURA
ofset lithograph in colours, printed by FOT, Lyon,
condition A; not backed
31Ω x 23Ω in. (80 x 60 cm.)
£800-1,200 $1,300-1,800
€1,200-1,700
154
SAMIVEL (1907-1992)
CIME ÉTERNELLE
ofset lithograph in colours, condition A;
not backed
27 x 19 in. (48 x 68 cm.)
£800-1,200 $1,300-1,800
€1,200-1,700
155
SAMIVEL (1907-1992)
SAVOIE
ofset lithograph in colours, printed by FOT, Lyon,
condition A; not backed
31Ω x 25Ω in. (80 x 60 cm.)
£800-1,200 $1,300-1,800
€1,200-1,700

Comments

Post a Comment

Popular posts from this blog

-
Image
John Piper THE OLD CHURCH, DARTINGTON  signed pen and ink, ink wash 54 by 39.5cm.; 21¼ by 15¾in. Executed 1943-6. Estimate   8,000  —  12,000   GBP   Having been impressed by a recent exhibition of John Piper's Windsor Castle drawings, Leonard Elmhirst wrote to the artist in the spring of 1943, inviting him to stay and work at Dartington. Leonard felt the arresting architecture and landscape of the place would appeal to Piper's particular sensibilities- 'I have an idea that these fourteenth century walls would give you a rather special experience ' (Leonard Elmhirst, letter to John Piper, 29 th  March 1943). While much of Piper's time during the war was occupied recording the effects of German bombing on towns and cities throughout England and Wales, he took up the offer and painted at Dartington for a short period over the summer. The trip was produced a group of paintings and successful sketches....
Read more

A rare Fabergé smoky quartz bonbonnière with jewelled and enamelled gold mount, workmaster Michael Perchin, St Petersburg, circa 1900

-
Image
  A rare Fabergé smoky quartz bonbonnière with jewelled and enamelled gold mount, workmaster Michael Perchin, St Petersburg, circa 1900  carved in the form of a scarab with pharaoh's face, the eyes set with diamonds, the gold mount chased with leaf tips under translucent green enamel, cabochon ruby and rose-cut diamond-set thumbpiece,  struck with workmaster's initials and  Fabergé  in Cyrillic, 72 standard, scratched inventory number 59487 width: 4.8cm, 1 7/8 in. Estimate     8,000  —  12,000   GBP
Read more

Emil Nolde - Schauspielerin (recto) -- Piazza S. Domenico II, Taormina (verso), 1919-05

-
Image
  EMIL NOLDE Schauspielerin (recto) /  Piazza S. Domenico II, Taormina (verso) , 1919/1905. Öl auf Leinwand Object description Actress (recto) / Piazza S. Domenico II, Taormina (verso)  .  1919/1905. Oil on canvas. Urban 829 / Urban 154. Signed upper right or signed and dated lower right.  52.5 x 40 cm (20.6 x 15.7 in).  [SM]. • Emil Nolde not only paints heads, he paints types. • In the immediacy of expression, Nolde paints his counterpart, unfiltered, work born entirely from instinct. • Emil Nolde is caught by his counterpart, paints the actress, a person who challenges the artist, is powerful and convincing  . PROVENANCE: Alfred Heller art dealer, Berlin-Charlottenburg. Curt Schueler (1877-1962), Berlin (around 1920, until before spring 1942). Conrad Doebbeke, Berlin / Hanover (probably since 1943/45, until 1953). Museum Kunstpalast, Düsseldorf (acquired from aforementioned in 1953, until 2019). Restitution to Curt Schueler's heirs (2019). Family-ow...
Read more