Pablo Picasso - LA CORRIDA
Pablo Picasso
1881 - 1973
LA CORRIDA
Signed Picasso and dated Le 10.11.55. (lower right)
Wax crayon, brush and ink and felt-tip pen on paper
10 5/8 by 16 1/2 in.
27.2 by 42 cm
Executed on November 10, 1955
Wax crayon, brush and ink and felt-tip pen on paper
10 5/8 by 16 1/2 in.
27.2 by 42 cm
Executed on November 10, 1955
La Corrida was a theme that Picasso returned to continuously throughout his life and was an important reference point for the artist’s personal identity, symbolizing both his Spanish heritage and his masculinity. He was enchanted by the ritual, the excitement and the danger, much as Goya had been one hundred and fifty years earlier (see fig. 1).
La Corrida was to remain a perpetual motif throughout Picasso’s life as he sought to realise his vision of this unique spectacle. As he once commented, “What I would like is to create the corrida as it is… I would like to create it as I see it… I would like to create it all… I would need a canvas as big as the arenas themselves… It would be magnificent” (quoted in Hélène Parmelin, Picasso dit…, Paris, 1966, pp. 49-50). This composition conveys the sense of theater that for Picasso remained the essence of the bullfight.
La Corrida was to remain a perpetual motif throughout Picasso’s life as he sought to realise his vision of this unique spectacle. As he once commented, “What I would like is to create the corrida as it is… I would like to create it as I see it… I would like to create it all… I would need a canvas as big as the arenas themselves… It would be magnificent” (quoted in Hélène Parmelin, Picasso dit…, Paris, 1966, pp. 49-50). This composition conveys the sense of theater that for Picasso remained the essence of the bullfight.
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