Emil Nolde - Weiße Lilien und Dahlien, ca.1930

-

 


EMIL NOLDE
Weiße Lilien und Dahlien, Um 1930.

Aquarell

Object description
White lilies and dahlias . Around 1930.
Watercolor.
Signed lower left. On Japan. 35 x 46.5 cm (13.7 x 18.3 in), the full sheet. [SM].

With a photo expertise from Prof. Dr. Manfred Reuther, Ada and Emil Nolde Foundation Seebüll, dated February 12, 2013.

PROVENANCE: Private collection Germany (acquired directly from the artist in 1932).

EXHIBITION: Emil Nolde, watercolors from Bielefeld's private collection, Städtisches Kunsthaus Bielefeld, 1967, No. 32.

essay
In Emil Nolde's painterly oeuvre, the watercolors can not only be seen as a supplement to the paintings. At times the artist works almost exclusively in watercolor, such as B. on his South Sea voyage, but also during the painting ban in the Third Reich and after 1951, when Nolde almost completely gave up oil painting because of a broken arm. Seen in this way, the watercolors in his oeuvre are an independent complex that deserves special attention. The lush flower garden around the studio house in Seebüll offers the painter enough inspiration: If he otherwise allows himself interpretational freedom, his flowers can usually be botanically identified precisely. But Nolde is neither a botanist nor a flower painter. He does not watercolors bouquets or still life-like arrangements. In the blaze of color of the blossoms, Nolde reflects the daring colors of his early paintings. He creates each flower anew out of the color and brings it into an exciting interrelationship with other flowers. The most varied of blossoms can be found in a composition and their color forms compete for the favor of an optical presence that cannot be made more forceful.

Comments

Post a Comment

Popular posts from this blog

Pablo Picasso - Nature morte

-
Image
Pablo Picasso (1881-1973) Nature morte signed and dated 'Picasso 25. Av. 37.' (centre right) oil on canvas 15 x 24 1/8 in. (38 x 61.1 cm.) Painted on 25 April 1937  There is an intensely poetic atmosphere to Nature morte, painted in 1937. Stars are glowing in the night sky, while the foreground is dominated by the accoutrements and accessories of a leisured and contemplative evening. Pipe and book lie alongside a drink and a candelabra, hinting at the passing of an evening of solitary pleasures, both of the mind and of the body. The lyricism of the scene is heightened by the swirling curlicues of the balcony in the background, as though this evening were being spent in the countryside, rather than in Paris. As though it was the Eighteenth Century and a time of peace, rather than a metropolis, with the backdrop of the Spanish Civil War. While there is undoubtedly an air of whimsy to Nature morte, the picture - both in terms of composition and content - also reveals...
Read more

gulp - world's largest stop motion animation

-
Image
'gulp' by aardman all images courtesy aardman 'gulp', a short film created by  sumo science  at  aardman , has broken a world record for the 'largest stop-motion animation'. completely shot using a 12-megapixel cellphone camera on a nokia N8, the project was set on 11,000 m2 of sand on south wales' pendine beach. props include a full-scale boat and a rain-jacket clad actor to tell a harrowing episode of a fisherman's time at sea. the short involved a large team that raked and smoothed out patterns on the sand to create a seascape--and the inside of a whale's belly--when viewed from above. shot from a large crane overhead, the images were then compiled to run at 25 frames per second to create the stop-motion effect. make sure to check out the making-up film embedded at the bottom of the page. Gulp. The world's largest stop-motion animation shot on a Nokia N8.  from  Nokia HD  on  Vimeo . camera set up ...
Read more

Paul Cézanne - Ferme en Normandie, été (Hattenville)

-
Image
  Paul Cézanne (1839-1906) Ferme en Normandie, été (Hattenville) oil on canvas 25 5/8 x 31 7/8 in. (65.1 x 81.1 cm.) Painted in 1882  Painted in 1882, Ferme en Normandie, été (Hattenville) is the largest of a series of four works that Paul Cézanne created during a summer sojourn at the home of his friend, the legendary impressionist collector Victor Chocquet, in Hattenville, Normandy. Chocquet, one of the first ardent champions and earliest collectors of Impressionism, was also the first owner of this painting and it remained in his collection until his death. Painted at a time when Cézanne was reaching artistic maturity, Ferme en Normandie, été (Hattenville) exemplifies a crucial moment in the artist’s career, illustrating his move from Impressionism towards his own distinctive and highly influential ‘constructed’ style. With an array of fresh and verdant green tones, the scene is an evocative, poetic vision of a quiet corner of a rural garden bathed in the blissful g...
Read more