Oskar Kokoschka (Pöchlarn 1886 - 1980 Villeneuve) A chestnut branch, signed, dated O. Kokoschka 64, watercolour on paper, 63 x 48.5 cm, framed
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John Piper THE OLD CHURCH, DARTINGTON signed pen and ink, ink wash 54 by 39.5cm.; 21¼ by 15¾in. Executed 1943-6. Estimate 8,000 — 12,000 GBP Having been impressed by a recent exhibition of John Piper's Windsor Castle drawings, Leonard Elmhirst wrote to the artist in the spring of 1943, inviting him to stay and work at Dartington. Leonard felt the arresting architecture and landscape of the place would appeal to Piper's particular sensibilities- 'I have an idea that these fourteenth century walls would give you a rather special experience ' (Leonard Elmhirst, letter to John Piper, 29 th March 1943). While much of Piper's time during the war was occupied recording the effects of German bombing on towns and cities throughout England and Wales, he took up the offer and painted at Dartington for a short period over the summer. The trip was produced a group of paintings and successful sketches....
EMIL NOLDE Schauspielerin (recto) / Piazza S. Domenico II, Taormina (verso) , 1919/1905. Öl auf Leinwand Object description Actress (recto) / Piazza S. Domenico II, Taormina (verso) . 1919/1905. Oil on canvas. Urban 829 / Urban 154. Signed upper right or signed and dated lower right. 52.5 x 40 cm (20.6 x 15.7 in). [SM]. • Emil Nolde not only paints heads, he paints types. • In the immediacy of expression, Nolde paints his counterpart, unfiltered, work born entirely from instinct. • Emil Nolde is caught by his counterpart, paints the actress, a person who challenges the artist, is powerful and convincing . PROVENANCE: Alfred Heller art dealer, Berlin-Charlottenburg. Curt Schueler (1877-1962), Berlin (around 1920, until before spring 1942). Conrad Doebbeke, Berlin / Hanover (probably since 1943/45, until 1953). Museum Kunstpalast, Düsseldorf (acquired from aforementioned in 1953, until 2019). Restitution to Curt Schueler's heirs (2019). Family-ow...
A rare Fabergé smoky quartz bonbonnière with jewelled and enamelled gold mount, workmaster Michael Perchin, St Petersburg, circa 1900 carved in the form of a scarab with pharaoh's face, the eyes set with diamonds, the gold mount chased with leaf tips under translucent green enamel, cabochon ruby and rose-cut diamond-set thumbpiece, struck with workmaster's initials and Fabergé in Cyrillic, 72 standard, scratched inventory number 59487 width: 4.8cm, 1 7/8 in. Estimate 8,000 — 12,000 GBP
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