Emil Nolde (Nolde, Schleswig, 1867-1956 Seebüll)
Still life with figure of rider, c. 1930,
signed Nolde,
watercolour on Japan paper,
27.5 x 45.3 cm, framed, (PS)
'gulp' by aardman all images courtesy aardman 'gulp', a short film created by sumo science at aardman , has broken a world record for the 'largest stop-motion animation'. completely shot using a 12-megapixel cellphone camera on a nokia N8, the project was set on 11,000 m2 of sand on south wales' pendine beach. props include a full-scale boat and a rain-jacket clad actor to tell a harrowing episode of a fisherman's time at sea. the short involved a large team that raked and smoothed out patterns on the sand to create a seascape--and the inside of a whale's belly--when viewed from above. shot from a large crane overhead, the images were then compiled to run at 25 frames per second to create the stop-motion effect. make sure to check out the making-up film embedded at the bottom of the page. Gulp. The world's largest stop-motion animation shot on a Nokia N8. from Nokia HD on Vimeo . camera set up ...
John Piper THE OLD CHURCH, DARTINGTON signed pen and ink, ink wash 54 by 39.5cm.; 21¼ by 15¾in. Executed 1943-6. Estimate 8,000 — 12,000 GBP Having been impressed by a recent exhibition of John Piper's Windsor Castle drawings, Leonard Elmhirst wrote to the artist in the spring of 1943, inviting him to stay and work at Dartington. Leonard felt the arresting architecture and landscape of the place would appeal to Piper's particular sensibilities- 'I have an idea that these fourteenth century walls would give you a rather special experience ' (Leonard Elmhirst, letter to John Piper, 29 th March 1943). While much of Piper's time during the war was occupied recording the effects of German bombing on towns and cities throughout England and Wales, he took up the offer and painted at Dartington for a short period over the summer. The trip was produced a group of paintings and successful sketches....
Pablo Picasso (1881-1973) Nature morte signed and dated 'Picasso 25. Av. 37.' (centre right) oil on canvas 15 x 24 1/8 in. (38 x 61.1 cm.) Painted on 25 April 1937 There is an intensely poetic atmosphere to Nature morte, painted in 1937. Stars are glowing in the night sky, while the foreground is dominated by the accoutrements and accessories of a leisured and contemplative evening. Pipe and book lie alongside a drink and a candelabra, hinting at the passing of an evening of solitary pleasures, both of the mind and of the body. The lyricism of the scene is heightened by the swirling curlicues of the balcony in the background, as though this evening were being spent in the countryside, rather than in Paris. As though it was the Eighteenth Century and a time of peace, rather than a metropolis, with the backdrop of the Spanish Civil War. While there is undoubtedly an air of whimsy to Nature morte, the picture - both in terms of composition and content - also reveals...
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